‘INTEMATES’
Female torso composition, Etching 2005
Limited Edition of 50
Paper Size 76 x 56 cm, signed/numbered
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‘NUUD’
Female torso, Etching 2005
Limited Edition of 50
Paper size 76 x 56 cm, signed/numbered
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‘BNUWDSTILL’
Male torso, Etching 2010
Limited Edition of 50
Paper Size 75.7 x 57.5 cm, signed/numbered
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‘LIGHT, LINE & FORM’
Female figures, Etching 2005
Limited Edition of 50
Paper size 76 x 56 cm, signed/numbered
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‘AMALGAMATES’
Male back figure/torso composition, Etching 2005
Limited Edition of 50
Paper Size 76 x 56 cm, signed/numbered
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‘TRUNCUS ERODO Plate 3’
Male back torso, Etching 1992
Limited Edition of 60
Paper size 100 x 68 cm, signed/numbered
Drypoint and embossing on Magnani Peschia paper
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‘TRUNCUS ERODO Plate 4’
Male back torso, Etching 1992
Limited Edition of 60
Paper size 100 x 68 cm, signed/numbered
Drypoint and embossing on Magnani Peschia paper
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‘BLUEPRINT Plate 1’
Female front figure, Etching 1989
Limited Edition of 30
Paper Size 83.5 x 68 cm, signed/numbered
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‘BLUEPRINT Plate 2’
Male front figure, Etching 1989
Limited Edition of 30
Paper Size 83.5 x 68 cm, signed/numbered
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‘BLUEPRINT Plate 3’
Female front figure, Etching 1989
Limited Edition of 30
Paper Size 83.5 x 68 cm, signed/numbered
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‘BLUEPRINT Plate 4’
Male figure, Etching 1989
Limited Edition of 30
Paper Size 83.5 x 68 cm, signed/numbered
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‘TORSO MS’
Female back figure 1997
Acrylic and Indian ink Drawing (unique)
Paper Size 77 x 56 cm, signed
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‘TORSO II’
Female torso 2000
Indian ink (unique)
Paper Size 100 x 77 cm, signed
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‘STRETCH’
Female torso 2000
Charcoal and Acrylic (unique)
Paper Size 110 x 75 cm, signed
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Photography
Photography and Sculpture at the Erotica Show
Please enquire about various photography by email:
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‘RECLINED I’
Reclined figure 1987
Charcoal and Acrylic (unique)
Paper Size 56 x 37.5 cm, signed
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‘RECLINED II’
Female reclined figure 1987
Charcoal and Acrylic (unique)
Paper Size 56 x 37.5 cm, signed
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‘LOWLINE’
Female reclined figure 1998
Charcoal and Acrylic (unique)
Paper Size 56 x 37.5 cm, signed
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More Artwork on this Website:
My drawings are often sculpted or modelled by adding in and stripping out surface layers to reveal the final form.
David Begbie
